Reading Aloud With Older Readers

Dr. Frank Serafini

University of Nevada, Las Vegas

serafini@unlv.nevada.edu

 

John Dewey

Every experience takes up something from those experiences that have come before and modifies in some way the qualities of those that come after.

 

Read Aloud As Experience

A Transaction between a Text, a Reader, a Group of Student Listeners, and a Particular Context

Involves the Negotiation of Meaning in a Community of Readers

Reading as a Social Performance

Respect for Literature as Art

 

Constructing Reading

How We Talk about Texts

The Types of Questions We Ask Students

What We Choose to Read

Expectations We Set for Readers

What We Do AFTER We Read

The Demonstrations of Proficient Reading We Provide

 

Reading With, Not To Readers

Includes teacher as reader

A shared learning experience

Teacher as Literary Docent

Not just a classroom management strategy

Let the text “speak”

Generates Curriculum

 

13 Scientifically-Based Reasons to Read Aloud with Older Readers

Reading Aloud:

Raises test scores

Introduces readers to new titles, authors, illustrators, text structures and genres

Builds a community of readers

Provides space for extended, invested discussions

An enjoyable experience

Connects readers with content area subjects

Provides demonstrations of how to respond to a text

Increases interest in selecting literature for independent reading

Provides access to books and ideas that readers may not be able to experience on their own

Provides demonstrations of oral fluency, phrasing and intonation

Helps readers understand the connection between reading in school and in life

Provides demonstrations of quality writing

Helps readers learn to read better

 

Expectations for Readers

Find a Place for Reading in Their Lives

Enjoy Reading & Its Challenges

Utilize a Variety of Reading Strategies to Make Sense of Texts

Willing and Able to Generate, Share and Negotiate Interpretations

Are Emotionally Invested in Literature

Read a Wide Variety of Texts

Understand that Images and Texts May Possess Meanings Beyond what is Represented

Understand Texts are Social Artifacts

 

Selecting Literature

Attractive / Appealing

Tells a GREAT story

Worth Re-Reading

Appropriate Conceptually

Quality Illustrations / Design

Memorable Characters

Lyrical - Quality Writing

Doesn’t Reveal Itself Immediately

 

Reading Aloud Tips

Only Read Books You Love

Read with Cool Voices!

Let Us Talk about the Book

Read Non-Fiction Too!

Practice Reading Aloud

Show the Pictures… Slowly!

Don’t Read Too Fast

Let Us Choose Books Sometimes

 

Performing Literature

Word “Perfect” Reading?

Showing Illustrations

Student Copy of the Book?

Invite Authors into the Classroom

Stop and Ask, or Just Read

Re-Visiting Favorites or New Stories

Where Do I Stand or Sit?

Promoting Invested Discussions

Use of Quality Literature and Texts

Turn - Pair - Share

Visual Representations (charts)

Impressions-Connections-Wonderings

Disrupting Textual Perspectives

Graffiti Boards

Timelines - Maps - Diagrams

 

Questioning Considerations

Students should ask more questions than teachers do.

Questions should promote further inquiry and discussion.

Statements usually elicit more discussion than questions.

Asking too many questions, even good ones, can kill a good discussion.

Don’t ask questions you already know the answers to.

Questions are more effective in response to students’ ideas, than in front of them.

 

After The Reading is Over

What makes an effective response strategy?

How does this response strategy extend one’s understandings of literature or the reading process?

Where in the world would this occur outside of school?

 

Responding to Literature

Talk About Texts

Reflect in Writing

Read Another Connected Text

Make Suggestions for Other Readers

Sketch Ideas About Texts

Research a Related Topic of Interest

Question the Text / Ideas

Re-Read Text

Write to the Author / Illustrator

Use Ideas for Own Writing

 

Making Comprehension Visible

Use of think alouds to demonstrate reading practices

Choose a book that you can respond to authentically

Stop, Think, and Share Aloud

Make list of what you are paying attention to

Briefly summarize what you did

 

 

Rethinking Reading Assessment

We are conducting far too much of the wrong kinds of assessment (external), and far too little of the right kinds (classroom based).

 

Goals of Classroom-Based Assessment

To Help Children Learn

To Help Teachers Teach

To Help Teachers Articulate Their Knowledge of Students and Learning to Interested Stakeholders

 

Classroom Based Assessment

Variety of Sources of Information

Teacher as Knowledgeable Observer

Focuses on Abilities, NOT Deficits

Guides Teaching & Curriculum

Ongoing Assessment

Includes Students

Negotiate Criteria for Evaluation

 

Assessing Comprehension

Retellings

Think Alouds

Reading Response Logs

Oral Reading Analysis

Literature Study Discussions

Weekly Conferences

Literacy Checklists

 

Assessment Criteria

Engagement & Involvement

Associations & Connections

Analysis & Evaluations

 

Engagement / Involvement

Can describe visual images

Follows along with characters

Relives the experience of the story

Anticipates events in story

Recalls specific events, language and story details

Offers immediate reactions (laughs, worries, etc)

Able to enter the secondary world of the story

 

 

 

Associations / Connections

Connects story to own experiences

Connects story to other stories and texts read

Connects stories to world events

Understands characters challenges in story world as connected to real world challenges

Puts self in place of characters

 

Analysis / Evaluation

Generalizes from literary experiences to world experiences

Develops themes / larger issues

Evaluates characters motives

Infers author’s intentions / histories / perspectives

Evaluates “quality” of the story

Understands relationship between parts of a story and the whole

Analyzes own responses to stories

Re-examines own worldview

 

Things We Don’t Want to Demonstrate

There is one right interpretation of a text and only the teacher or the “Cliff Notes” knows what that is.

Reading is the ability to stand on demand and pronounce every word correctly.

Reading poetry and literature is difficult for most students.

Students cannot be trusted to choose appropriate books for independent reading.

What we do after the reading is done is more important than the reading itself.

The only way to know if students understand what they read is by asking them questions.

Readers need to finish every book they start reading.

Teachers ask questions, students answer them.

You read for enjoyment at home, you read what teachers want at school.

If you struggle with reading when you are young, you will always struggle with reading.

 

So, Where Do I Start?

Increase Your Knowledge of Children’s Literature

Use Classroom-Based Assessments to Know Your Readers

Read Aloud on Daily Basis

Begin Invested Discussion Ideas

Negotiate New Expectations for Readers

Share Your Reading Life

Try Demonstrating Comprehension Through Think Alouds

 

Children’s Literature & Literacy Web-Site:   http://serafini.nevada.edu

Email: serafini@unlv.nevada.edu